The New Statesman is a British sitcom of the late 1980s and early 1990s satirising the Conservative government of the time.

George Lucas and Steven Spielberg tell the struggles and the passion for making the Indiana Jones Trilogy.

George Lucas and Steven Spielberg tell the struggles and the passion for making the Indiana Jones Trilogy.

Based on a play by Willis Hall. A troop of British soldiers are out in the jungle to record jungle noises and troop noises in the jungle so that the recordings can be played back by other troops to divert the enemy to their whereabouts. As they progress to what they think is closer to the base camp they find themselves farther and farther from radio range until the only channel they can get clearly is that of a Japanese broadcast. They now realize they are probably only 10 to 15 miles from a Japanese camp! The tension is added to by rowdy and openly admitted "non-hero" Private Bamforth who has nothing good to say about anyone and especially Corporal Johnstone (who holds an equal dislike for Bamforth). When a Japanese soldier is taken as their prisoner, the true colours of each man comes to the surface

In 2019, after his three Maze Runner films grossed nearly $1 billion on a $156 million spend, Ball was days away from production on 20th Century Fox’s Mouse Guard adaptation, but then the Disney-Fox merger abruptly canceled his ambitious mocap-centric project that counted Reeves and Serkis as producer and actor, respectively. However, later that year, Ball got a call from 20th’s longtime president of production, Emma Watts, which he believes was her way to make amends for Mouse Guard’s collapse. 　　“Yeah, that’s probably what it was … Emma Watts called me and said, ‘Sorry about the Mouse Guard thing, but what would you do with the next Planet of the Apes?’” Ball tells The Hollywood Reporter. “So it took me a minute to get my head around that idea. I wasn’t sure it was the right thing to do until we found our way into something that I thought was worthy of following up the previous three.” 　　Ball’s way into a new potential trilogy began with the aforementioned time jump where different clans of apes now reside in their own villages, including the Eagle Clan and their sheltered yet serene existence alongside their loyal eagle companions. Noa (Owen Teague), a sensitive young chimpanzee, is on the verge of adulthood within the Eagle Clan when Proximus Caesar’s (Kevin Durand) coastal clan of hostile apes pillages his family’s community, forcing him to go on a journey where he finally learns about the real world and who the real Caesar was from the learned orangutan, Raka (Peter Macon), and who he wasn’t from the power-hungry bonobo, Proximus. 　　The kicker is that Noa also encounters a seemingly feral human, but she’s really an intelligent young woman named Mae (Freya Allan), establishing that this new potential trilogy won’t be an ape story that resets its human cast with each movie like the prior trilogy of the 2010s.

In 2019, after his three Maze Runner films grossed nearly $1 billion on a $156 million spend, Ball was days away from production on 20th Century Fox’s Mouse Guard adaptation, but then the Disney-Fox merger abruptly canceled his ambitious mocap-centric project that counted Reeves and Serkis as producer and actor, respectively. However, later that year, Ball got a call from 20th’s longtime president of production, Emma Watts, which he believes was her way to make amends for Mouse Guard’s collapse. 　　“Yeah, that’s probably what it was … Emma Watts called me and said, ‘Sorry about the Mouse Guard thing, but what would you do with the next Planet of the Apes?’” Ball tells The Hollywood Reporter. “So it took me a minute to get my head around that idea. I wasn’t sure it was the right thing to do until we found our way into something that I thought was worthy of following up the previous three.” 　　Ball’s way into a new potential trilogy began with the aforementioned time jump where different clans of apes now reside in their own villages, including the Eagle Clan and their sheltered yet serene existence alongside their loyal eagle companions. Noa (Owen Teague), a sensitive young chimpanzee, is on the verge of adulthood within the Eagle Clan when Proximus Caesar’s (Kevin Durand) coastal clan of hostile apes pillages his family’s community, forcing him to go on a journey where he finally learns about the real world and who the real Caesar was from the learned orangutan, Raka (Peter Macon), and who he wasn’t from the power-hungry bonobo, Proximus. 　　The kicker is that Noa also encounters a seemingly feral human, but she’s really an intelligent young woman named Mae (Freya Allan), establishing that this new potential trilogy won’t be an ape story that resets its human cast with each movie like the prior trilogy of the 2010s.

The FBI and Interpol are looking into a big case of credit card fraud and a local bum is brought in for interrogation. A complicated story from the dark side of Göteborg unfolds.

An intimate documentary delving into Rian Johnson's process as he comes in as a director new to the Star Wars universe.

On the motorbike road trip of their dreams, buddies Rain and Ro Hong-chul relax and unwind as they delight in tasty eats and scenic locales around Korea.